Opened in 2021, the Bourse de Commerce – Pinault Collection is a cutting-edge contemporary art museum in Paris, beautifully merging historical architecture with visionary design. This unique space showcases rotating exhibitions from François Pinault’s extensive collection, offering a dynamic exploration of contemporary art in various mediums. One of the most iconic features of the museum is the massive concrete cylinder designed by renowned Japanese architect Tadao Ando, which serves as the central exhibition space beneath the original glass dome, creating a striking dialogue between past and present.

François Pinault began his art-collecting journey in the early 1970s. Today, his collection comprises approximately 10,000 artworks, spanning disciplines and showcasing emerging talents alongside world-renowned artists like Damien Hirst, Jeff Koons, and Cindy Sherman. The collection is known for its engagement with pressing social and political issues, particularly around race, gender, and politics—reflecting Pinault’s belief in art’s capacity to impact society.

Pinault’s influence in the art world extends beyond his collection. In 1998, he acquired the prestigious auction house Christie’s, cementing his role as a key figure in the international art world. He is also the founder of Kering, a global luxury goods conglomerate that includes iconic brands such as Gucci, Yves Saint Laurent, Balenciaga, and Bottega Veneta. Now managed by his son, François-Henri Pinault, Kering remains a driving force in the world of high fashion.

Pinault secured the rights to use the Bourse de Commerce through an agreement with the City of Paris, which granted him a 50-year lease in exchange for a one-time payment of €15 million, along with annual rent. Pinault also personally financed the building’s extensive renovation, which cost approximately $170 million. The restoration was meticulously undertaken with a focus on preserving the historical architecture while seamlessly incorporating contemporary elements. Tadao Ando, celebrated for his minimalist approach and exceptional skill with concrete, introduced a striking concrete cylinder to the interior, forging a powerful connection between the building’s rich architectural heritage and the cutting-edge art displayed within. Ando’s design carefully honors the building’s legacy, integrating harmoniously with the preserved glass dome.

The Bourse de Commerce was originally constructed in the 16th century as part of the Hôtel de Soissons, commissioned by Queen Catherine de’ Medici and designed by architect Jean Bullant. Over the centuries, the building underwent numerous transformations, ultimately becoming a commodities exchange. Each period brought architectural modifications that reflected the evolving needs and styles of the era. In the 18th century, the building was transformed into a grain hall (Halle aux blés) by Nicolas Le Camus de Mézières, with later additions by Jacques-Guillaume Legrand and Jacques Molinos, while preserving its iconic circular form.

The glass dome, rebuilt between 1811 and 1813 after a fire destroyed the original structure, stands as an engineering marvel of the Industrial Revolution. Designed by architects François-Joseph Bélanger and Jacques Ignace Hittorff, it was one of the first large-scale iron domes in the world. The dome became a symbol of the industrial progress and architectural innovation that defined Paris during that period.

The current dome, combining iron and glass, allows natural light to illuminate the building’s central space. During Ando’s recent renovation, the glass panels were upgraded to modern double-glazing, enhancing thermal efficiency without compromising the quality of the natural light. In addition, the historic frescoes adorning the lower part of the dome were restored to preserve the building’s cultural and artistic heritage.

Before inaugurating the Paris museum, François Pinault had already made his mark on the art world with two contemporary art museums in Venice. In 2006, he transformed the 18th-century Palazzo Grassi, formerly a noble estate, into a vibrant exhibition space. In 2009, he restored Punta della Dogana, a historic building that once housed Venice’s maritime customs. Both sites have become prominent cultural landmarks, hosting rotating exhibitions of international artists from Pinault’s extensive collection. Tadao Ando was also entrusted with the renovation and preservation of these Venetian buildings, further cementing the synergy between architecture and art that defines Pinault’s vision.

Explore the Culture Treasures cultural travel guide to Paris for insider tips on top galleries, museums, design venues, and more.